In this week’s episode of the show: Peter explores the emotional gut-punches that exist throughout the soundtrack of Professor Layton and the Unwound Future and Joe has no objection to Masakazu Sugimori’s courtroom work on Phoenix Wright: Ace Attorney.
TIMESTAMPS
2:05 – GAME 1: Professor Layton and the Unwound Future
9:46 – Composer History: Tomohito Nishiura
15:22 – Critical Track #1
17:39 – Critical Track #2
19:20 – Critical Track #3
21:40 – Critical Track #4
25:16 – Critical Track #5
33:03 – Cutting Room Floor
36:52 – Transition
37:52 – GAME 2: Phoenix Wright: Ace Attorney
56:04 – Composer History: Masakazu Sugimori
1:01:33 – Critical Track #1
1:03:18 – Critical Track #2
1:05:32 – Critical Track #3
1:09:38 – Critical Track #4
1:11:38 – Critical Track #5
1:15:14 – Cutting Room Floor
1:23:37 – Outro
Welcome to Original Soundchat, where video game music is a work of art! In this new weekly show, hosts Joe DeVader and Peter Spezia are talking about their favorite game soundtracks. This involves taking a deep dive into the creation and history behind those classic OSTs, while highlighting some key tracks along the way. Join them as they shine a light on the often-forgotten composers that make our games sound great, and prove that game music has come a long way from the days of so-called “beeps and boops.”
Peter Spezia
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